Nothing is forever, however, and the two sides will sooner or later get back to negotiations. There has now been a hiatus in U.S.-North Korea engagement for almost two years, largely at Pyongyang’s insistence. Of course, the hoped-for reconciliation and nuclear disarmament did not come to pass. In this case, they also contained the core perceptions and misperceptions of how each thought to move-and move the other-from decades of U.S.-North Korean hostility to something approaching more normal or at least stable relations between their two vastly different countries. President Donald Trump between April 2018 and August 2019-characterized as “ beautiful letters” by Trump-contained tactical feints, unctuous flattery, and psychological ploys that have marked exchanges of leaders of all stripes and stations throughout history. The 27 letters exchanged between North Korean leader Kim Jong Un and then-U.S. Ever.There is probably no other bilateral relationship today where letter writing between two countries’ leaders has played such a dramatic role as that between North Korea and the United States. You will get full access to divisare archive and you will help us keep the lights on.ĭivisare subscription is free for teachers & students No Ads. If you like what we’re doing, please Subscribe. No click - like - tweet - share, no advertising, banners, pop-ups. This is why Divisare is a place to perceive architecture slowly, without distractions. Instead of hastily perused information, we prefer knowledge calmly absorbed. Instead of a quick, distracted web, we want a slow, attentive one. Patient work, done with care, image after image, project after project, to offer you the ideal tool with which to organize your knowledge of contemporary architecture. Join us in taking a stand against the short attention architecture media.ĭivisare is the result of an effort of selection and classification of contemporary architecture conducted for over twenty years. It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.
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